THOMAS LOHR
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THOMAS LOHR
Himmelblau Paris, France (2022)
C-Type Print on Fuji satin DPII paper
180 x 120 cm / 70.9 x 47.2 inEdition of 1 + 2 APs
Available
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THOMAS LOHR
Himmelblau Tbilisi, Georgia (2023)
C-Type Print on Fuji satin DPII paper
118 x 80 cm / 46.5 x 31.5 inEdition of 1 + 2 APs
Available
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THOMAS LOHR
Himmelblau Tel Aviv, Israel (2022)
C-Type Print on Fuji satin DPII paper
118 x 80 cm / 46.5 x 31.5 inEdition of 1 + 2 APs
Available
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THOMAS LOHR
Himmelblau Yerevan, Armenia (2023)
C-Type Print on Fuji satin DPII paper
118 x 80 cm / 46.5 x 31.5 inEdition of 1 + 2 APs
Available
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THOMAS LOHR
Himmelblau London, GB (2022)
C-Type Print on Fuji satin DPII paper
90 x 60 cm / 35.4 x 23.6 inEdition of 3 + 2 APs
Available
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THOMAS LOHR
Himmelblau Jerusalem, Israel (2022)
C-Type Print on Fuji satin DPII paper
90 x 60 cm / 35.4 x 23.6 inEdition of 3 + 2 APs
Available
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THOMAS LOHR
Himmelblau Madrid, Spain (2023)
C-Type Print on Fuji satin DPII paper
90 x 60 cm / 35.4 x 23.6 inEdition of 3 + 2 APs
Available
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THOMAS LOHR
Himmelblau Mussenhausen, Germany (2022)
C-Type Print on Fuji satin DPII paper
90 x 60 cm / 35.4 x 23.6 inEdition of 3 + 2 APs
Available
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THOMAS LOHR
Himmelblau Naples, Italy (2023)
C-Type Print on Fuji satin DPII paper
90 x 60 cm / 35.4 x 23.6 inEdition of 3 + 2 APs
Available
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THOMAS LOHR
250 €Himmelblau Tel Aviv (2023)
C-printed silk tapestry
120 x 80 cm / 47.3 x 31.5 inAvailable
View edition -
THOMAS LOHR
250 €Himmelblau Tbilisi (2023)
C-printed silk tapestry
120 x 80 cm / 47.3 x 31.5 inAvailable
View edition -
THOMAS LOHR
250 €Himmelblau Yerevan (2023)
C-printed silk tapestry
120 x 80 cm / 47.3 x 31.5 inAvailable
View edition
PORTRAIT_
Thomas Lohr, born 1980 in Memmingen, Germany, studied photography at Berlin’s Lette-Verein. After completing his studies, Lohr moved to New York in 2005 and then London in 2010 before relocating to Paris in 2020, during which time he built a successful career as a fashion photographer while pursuing an arts practice.
Lohr’s work is characterized by the relationship he develops with his subject matter over long periods of time. Rather than using photography to digitize fugitive moments, Lohr’s camera captures the regular attention he pays to his subjects. In return for his patience, they reveal aspects and transformations hidden to the single snapshot or lost to undocumented experience.